Jeff Spevak

Xerox Rochester International Jazz Festival

Joe Locke said he’s inspired by words. Tuesday night, in his first set at Kilbourn Hall, the words were “welcome home.”

“This is always a spiritual experience for me to play here, because of my roots here,” he said. Raised in Rochester, an Eastman School of Music grad, Locke is widely regarded as one of jazz’s finest vibraphone players. He returns every few years to see some familiar faces and, thusly inspired, to play a knockout show at the Xerox Rochester International Jazz Festival.

Xerox Rochester International Jazz Festival

Trail of Souls, we feel your pain. It is a very, very, very, very thin line between the loneliness of Norwegian folk music and “Motherless Child.”

Xerox Rochester International Jazz Festival

Thirty years ago, Bela Fleck & the Flecktones opened the bluegrass door, and in flew jazz, rock and country music. Classical, even. The quartet embraces a world view of sound, and Fleck has continued to expand his musical interests, in recent years releasing recordings of duets with jazz keyboard great Chick Corea, and recording a concerto with the Colorado Symphony Orchestra.

Xerox Rochester International Jazz Festival

Moon Hooch isn’t for everyone. But neither is Charlie Parker.

The dynamic Brooklyn trio brought a remarkable saxophone apocalypse to the Xerox Rochester International Jazz Festival Sunday. Three days into the nine-day festival, and this was the killer show.

Although, not everyone would agree.

Fred SanFilipo / for WXXI News

The crowd in front of Brian Setzer’s rockabilly trio at the closed-off intersection of Chestnut Street and East Avenue was shoulder to shoulder for nearly two blocks, thousands of thousands of them, the tight, impressive rockabilly sound pristine in the gorgeous evening air.

In Max of Eastman Place, a complete contrast, with Quebec City’s Des Sourcils playing sprightly Gypsy jazz.

In the Big Tent, another contrast, the Hip Spanic All Stars, playing what they call “JazzyAfroLatinFunk” at astonishing decibels.

Xerox Rochester International Jazz Festival

Politics doesn’t create miracles. Nor does war, strip mining, television evangelists or corporate funding of Adam Sandler movies.

It's a preview of this year’s Xerox Rochester International Jazz Festival. We discuss this year’s lineup, and we hear from English singer Gwyneth Herbert who returns to the festival for a third time. We talk to her about her music, her career, and what’s new on the jazz scene.

Our guests:

  • Jeff Spevak, longtime Rochester arts and culture reporter
  • John Nugent, co-founder, producer, and artistic director of the Xerox Rochester International Jazz Festival
  • Glenn Tilley, audio producer and member of the production team for the Xerox Rochester International Jazz Festival
  • Gwyneth Herbert, singer and musician

The Bob Dylan Birthday Bash

May 25, 2018

In one of the city’s longest-running popular-music traditions, about three dozen Bob Dylan songs will be interpreted by Rochester musicians at Friday’s 31st annual Bob Dylan Birthday Bash at Lovin’ Cup Bistro & Brews.

Host band HuNu? opens the 8 p.m. set  on May 25 with the only non-Dylan song of the night. “A Different Bob” is a composition by the late Chuck Cuminale, the originator of the event with his band, The Colorblind James Experience.

Jeff Spevak looks at a summer of music

May 24, 2018

A hip-hop Pulitzer Prize winner and a country music star who was onstage when last summer’s mass shooting in Las Vegas broke out. This is one outdoor concert season that reflects our changing and challenging times.

George Eastman Museum

The George Eastman Museum on Friday revealed the titles of the films being screened at the Dryden Theatre this weekend as part of the 4th annual Nitrate Picture Show

WXXI's arts & cultural contributor, Jeff Spevak has this overview of what to expect:

Paolo Cherchi Usai, head film curator at the George Eastman Museum and the festival programmer, says he is proud of the subtitle accompanying the fourth annual Nitrate Picture Show. It is a “Festival of Film Conservation.”