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Mary Mann's new book digs into a phenomenon as old as humanity: boredom. Why do we get bored? Is there a cure? Yawn is a thoughtful read, but its mix of autobiography and scholarship doesn't jell.

There have been an awful lot of South Asian adaptations of Pride and Prejudice recently, but Uzma Jalaluddin's tale of two Toronto Muslims — one conservative, one liberal — stands out beautifully.

Casey McQuiston's tale of a British prince who falls for the son of the U.S. president (who's a woman, by the way) is a snappy, banter-packed rom-com that's also empowering and uplifting.

Ian McEwan's fetal Hamlet is an extravagant spirit confined to the womb while his mother and uncle plot. But he is no sweet prince; the book stumbles over the unborn Dane's grumpy cultural commentary.

Nadja Spiegelman is insightful about the power and malleability of memory in her new memoir, but the book is weighed down by an aggressively artificial poignancy, all ashtrays and meaningful silences.

Anjan Sundaram's new memoir Stringer chronicles his adventures as a budding journalist in one of the world's most chaotic spots: the Democratic Republic of the Congo. Reviewer and veteran journalist Ted Koppel says Stringer "is a book about a young journalist's coming of age, and a wonderful book it is, too."

Over ten years before Jackie Robinson broke the color barrier in the major leagues, a little-known baseball team went to bat with players both black and white. Journalist Tom Dunkel writes about the team from Bismarck, N.D., in his new book Color Blind.

This weekend, we're rewinding the NPR Books Time Machine to look at Kristan Higgins' beloved Blue Heron romance series, which wrapped up last month with book five, Anything For You.

Javier Sierra's new The Master of the Prado follows a graduate student — also named Javier — who gets caught up in a web of arcane theories about the paintings in the famous Madrid museum.

In her third outing as crime novelist Robert Galbraith, J.K. Rowling hits her stride with a fluid, complex mystery. Reviewer Annalisa Quinn says she excels at depicting evil, ordinary or otherwise.