Kevin Whitehead
Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.
Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.
He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.
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In 1965, Lewis' trio had a crossover hit with The 'In' Crowd, a jazz recording they made in a Washington, D.C. nightclub, which reached the pop charts. Lewis died Sept. 12.
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Corea, who died Feb. 9, had a strong melodic sense and a crisp, distinctive touch at the keyboard. Looking back, it's easy to hear why he was among the most beloved of modern improvising composers.
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Out 'n' In, the latest album from Empirical, is a tribute to the late musician Eric Dolphy. The record contains six original pieces that adopt Dolphy's style and adaptations of two songs from his album Out to Lunch!
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Smith had three albums out this past fall — two reissues and a new set of live concert recordings by two of his bands.
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Jazz critic Kevin Whitehead reviews a new album from the prolific composer and pianist Fred Hersch. It's called Fred Hersch Pocket Orchestra, Live at the Jazz Standard.
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The third album from the William Parker Quartet is named Petit Oiseau, after a character in a poem written by Parker. Jazz critic Kevin Whitehead assesses whether the album — whose French title translates to "Little Bird" — takes flight.
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Fresh Air's jazz critic has a listen to a re-issue of The Hawk Flies High, the 1957 album from tenor saxophonist Coleman Hawkins — who's often credited with legitimizing that instrument in the jazz world.
