Jeff Spevak


Words. They are with us one moment… and then they are gone. Those words you read just seconds ago? Already pushed aside by the new words arriving now, barking for attention.

Is this weightlessness a concern? Should we hold our words, and those who speak them, more accountable?

Aldous Huxley would think so. Writer, poet, Hollywood screenwriter, philosopher. Perhaps best known for Brave New World, a novel published in 1932 depicting a future in which science creates genetically and behaviorally engineered humans. And 1954’s The Doors of Perception, in which Huxley describes his experiments with psychedelic drugs.

It is forward-looking writing that has survived to this day. Yet the prolific Huxley left us much, much more. A few years ago, a Rochester Institute of Technology graduate, Jon Budington, was poking through a used-book store in Vermont when he found Words and Their Meanings, a slim volume by Huxley, published in 1940. Budington contacted RIT Press and suggested the book was worthy of resurrection. The publishing house’s director, Bruce Austin, agreed.

Jason Lee

Abandoned motels, lonely gas stations, rusting cars, weary houses shedding paint. Jason Lee’s photographs captures a rural Texas landscape that is disintegrating before our eyes.

Yes, he says: Isn’t that what’s happening to our country today?

Lee discusses these images in his new book, A Plain View, followed by a book signing, at 6 p.m. Thursday at the George Eastman Museum. These are photos that he took throughout 2017 all across Texas, where he now lives. A catalog of lonesome, desolate spaces – people are almost non-existent – that he says is inspired by films such as Paris, Texas.

Memorial Art Gallery/Gift of Rosamond Tota, daughter

Eight years ago, Jessica Marten – Curator in Charge/Curator of American Art at Rochester’s Memorial Art Gallery – was poking around among the paintings in a museum storage space when a small piece caught her eye.

It was many things. The artist’s medium, egg tempera and gold leaf, suggested medieval paintings, and the illuminated manuscripts of monks. The extensive use of borders is what might be seen on a tapestry. And the central figure looked like an image from Frida Kahlo: A woman in pain, clutching her head. Her eyes are bleeding.


The full line-up of the KeyBank Rochester Fringe Festival was announced on Tuesday.

WXXI's arts & cultural contributor Jeff Spevak has a look at what to expect:

Wedding vows, drunken Shakespeare, the dirt on Little House on the Prairie and two nights of Massaoke – mass karaoke involving a live band and thousands of singers, more or more-often less, on key. Tuesday’s Big Reveal for this year’s KeyBank Rochester Fringe Festival is a cabinet of curiosities.

Xerox Rochester International Jazz Festival

Nine days, could you handle any more? C’mon tough guy, get off the street and get to that 10 o’clock show.

Who’s willing to play through the pain at the Xerox Rochester International Jazz Festival? How about that guy who had the Jill Scott tattoo on his arm. Friday night at Kodak Hall at Eastman Theatre, he got the singer to sign below her smiling face after her show. By Saturday morning he was at the tattoo shop, making her autograph permanent.

Xerox Rochester International Jazz Festival

Fifty years. Tower of Power has been a band seven times longer than The Beatles. It hasn’t been easy, admits founder Emilio Castillo. But here it is, playing the free outdoor show on Saturday, the final night of the Xerox Rochester International Jazz Festival. A night that’s traditionally the biggest of the festival’s nine days.

Xerox Rochester International Jazz Festival

The headliner had cancelled the tour. St. Germain, a French techno-dance maestro, was out after he broke a leg. Yet Friday night was much as we’ve come to expect on these Xerox Rochester International Jazz Festival weekends. On Gibbs Street a tight knot of people watching The Community Soul Project, a Canadian band singing Motown songs. East Avenue and Chestnut Street closed, thousands of people milling about.

Xerox Rochester International Jazz Festival

Gwyneth Herbert’s beautiful music, humor and humanity peeled away layers of cynicism Thursday at Max of Eastman Place. A packed house, and everyone surely left with the feeling that the world’s weighty problems might be eased with a beer and a kazoo. And by writing a letter, a fading exercise that Herbert suggested might be the answer to: “How can we listen to ourselves and each other?”

Xerox Rochester International Jazz Festival

He had to count it out on his fingers. And it took both hands. Canadian guitarist Kevin Breit has played six of the 17 Xerox Rochester International Jazz Festivals.

And every band has been a different musical idea. Folk Alarm 5, The Sisters Euclid. The Stretch Orchestra. Supergenerous, a collaboration with the Brazilian percussionist Cyro Baptista. Breit is a man whose résumé includes playing on Norah Jones’ first three albums.

Xerox Rochester International Jazz Festival

“Songs of Freedom” is entertaining, if that’s what you wanted. Provocative, if that’s what you’re searching for.

The intriguing project at Xerox Rochester International Jazz Festival Wednesday night, created by the celebrated drummer Ulysses Owens, Jr., combined the music of three fearless women at Kilbourn Hall: Joni Mitchell, Abbey Lincoln and Nina Simone, who Owens noted, “had freedom lodged in her voice.”