WXXI AM News

Across the Universe

Our musicians, our writers, our artists, the culture that comes to visit us, the Elvis impersonators, the stars. WXXI Arts & Life Editor and Reporter Jeff Spevak takes a look at the local scene each week in Across the Universe.

Smart art must make smart choices.

And the process often means making far more compromises than most artists will admit to. The coronavirus pandemic has forced the arts to re-think everything. As in: To what degree will our society be embracing virtual presentation of the arts?

The answer is being explored in a major way during Rochester Fringe. It is a petri dish of virtual performance as we watch what kind of bacteria, mosses or pleasantly edible fungi emerge over this 12-day experiment. Is virtual arts useful culture, or is it contamination?

Provided by KeyBank Rochester Fringe Festival

Yes, there are very good reasons why the two presentations of Cameryn Moore’s show at the KeyBank Rochester Fringe Festival start at 10:30 p.m. It’s past the kiddies’ bedtime.

And, looking at it another way, it’s bedtime for adults as well. 

Roger Kirby

The world has reached the point where, after a tough day at work, you can’t pull up a barstool and unwind with an expertly made Negroni cocktail without feeling like it’s an act that puts your friends and family in danger.

Not since the coronavirus pandemic, “when the world changed,” Chuck Cerankosky says.

“But we’re all still here. The bars are still here, we’re struggling to survive. We’re trying to navigate through this forest of precautions and guidelines and morality.”

Provided

In his four decades of working in the music business, Quake Mark says he’s had a gun pulled on him three times, he’s been shot once, stabbed twice, overdosed once, been in three bus crashes, four bus fires and has survived two plane crashes, including with the Goo Goo Dolls in 1999 when the band’s plane skidded off a runway in Italy.

But this coronavirus pandemic could be the end of his career as a sound technician, production manager and tour manager, “which is a fancy way of saying I’m a very high-priced roadie,” says Quake. 

Jeff Spevak/WXXI News

The Spring Chickens had a gig last week. It was the first live-music performance I’d attended since mid-March.

That’s quite a stretch of home quarantine for someone who is usually out three or four or five evenings a week. Maybe attending shows, or eating dinner at a restaurant or a friend’s house, or wandering over to a neighbor’s house with my dog. 

Wicked Cool Records

It’s nothing but the best for The Empty Hearts when the band goes off in search of inspiration. As Andy Babiuk tells it, there was this one night …

“I was backstage at a Stones show, hanging out with Mick Jagger,” Babiuk says, “and he goes, ‘Hey Andy, I have this song that I think would really work for The Empty Hearts.’ And he literally like, sang the whole song to me.”

Alas, it was, literally, a dream gig.

“And so I got up and I hummed the song into my iPhone and went back to bed,” Babiuk says. “Had I not done that, I would have never remembered it.”

George Nebieridze

The music is perhaps unlike anything you have heard. Or maybe it is like many things you've heard.

It is "Fountain," the debut album by Lyra Pramuk. Music that flows and explodes out of the classical and electronica realms. A droning, oscillating, leaping, humming. Machine-manipulated vocalizations with the influence of African rhythms dart with electricity and land somewhere between Gregorian chants and the poetry of Laurie Anderson songs.

courtesy of PUSH Physical Theatre

As next month’s KeyBank Rochester Fringe Festival recalibrates for the new reality -- the event will be presented virtually -- the performers are having to rethink what Darren Stevenson calls “the canvas on which we create.”

Provided by Visual Studies Workshop

The film is black and white, as was the issue. The camera work is a little jittery, as were the times. A Black man -- he looks to be in his mid-20s -- is talking about the relationship between the police and Black youths.

“They got feelings, we got feelings, they should consider that. I mean, if you get clubbed upside the head, man, it hurts. They should know that, if they get clubbed upside the head, that’s gonna hurt. You know what I mean?”

Dryden Theatre

The problem with our new reality is, we can’t see it from where we are now.

The new reality, of course, is COVID-19. The numbers -- more than 600,000 dead worldwide, more than 140,000 dead in the United states -- tell us the virus is not a conspiracy theory. Science tells us it’s not going to simply disappear.

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